WORK

• The Way We Were
• Red Girl
• The Flea Market of Lost Opportunities
• The Doomed
• Portraits
• 40 Days (Man with Dog)
• Various
• All paintings

All paintings

The rope and the stark contrast between the vivid red of the girl's coat and the still landscape create a quiet tension between innocence and danger. Part of the Red Girl series, in which the child’s absurd actions in the harsh landscape become a metaphor for unanswered human questions.

From the Series "The Way We Were".
This piece was nominated as a finalist in the Biennale de l’Art Pierre Paulus (Châtelet)

From the series "The Doomed".
This dyptich was a finalist in the “Prix des arts plastiques et visuels” du Wauxhall in Nivelles, Belgium.

From the Series "The Way We Were".
This was a finalist work in the international Arte Laguna Prize. It has been exhibited in the Arsenale in Venice. This piece was also nominated as a finalist in the Biennale de l’Art Pierre Paulus (Châtelet)

From the Series "The Way We Were"

From the Series "The Way We Were".
This work has been internationally exhibited (Spain, Belgium).

From the Series "The Way We Were".
This piece was nominated as a finalist in the Biennale de l’Art Pierre Paulus (Châtelet), the Prix des Arts Plastiques et Visuels (Wauxhall, Nivelles), and the Prix de la Peinture (Woluwe Saint-Pierre, Brussels).

From the Series "Portraits".
Price is for the set.

The beach spade and the look in the girl's eyes create a quiet tension between innocence and danger. Part of the Red Girl series, in which the child’s absurd actions in the harsh landscape become a metaphor for unanswered human questions.

From the “40 Days” series, this work follows a solitary figure walking daily through the Tabernas Desert and its surroundings. In the repetition of these simple rituals, small shifts in light, dust, and gesture emerge, turning the act of wandering into a quiet reflection on time, boredom, and human presence.

From the “40 Days” series, this work follows a solitary figure walking daily through the Tabernas Desert and its surroundings. In the repetition of these simple rituals, small shifts in light, dust, and gesture emerge, turning the act of wandering into a quiet reflection on time, boredom, and human presence.

Inspired by Facebook Marketplace, where countless unused objects are offered for sale. A sad flea market of lost opportunities.

Inspired by Facebook Marketplace, where countless unused objects are offered for sale. A sad flea market of lost opportunities.

Inspired by Facebook Marketplace, where countless unused objects are offered for sale. A sad flea market of lost opportunities.

Inspired by Facebook Marketplace, where countless unused objects are offered for sale. A sad flea market of lost opportunities.

Inspired by Facebook Marketplace, where countless unused objects are offered for sale. A sad flea market of lost opportunities.

Inspired by Facebook Marketplace, where countless unused objects are offered for sale. A sad flea market of lost opportunities.

Inspired by Facebook Marketplace, where countless unused objects are offered for sale. A sad flea market of lost opportunities.

This work has been internationally exhibited (in Spain, Germany and in Belgium) and received a special mention of the jury and the Audience Award in the Nivelles art prize.

This was a finalist work in the international Arte Laguna Prize. It has been exhibited in the Arsenale in Venice and in ARS VISIBILIS in Almeria.
Att.: reserved for exhibition and sales through other partner until November 2026.

The series reflects on childhood, memory, and the futures we imagine for ourselves. In youth, everything seems possible. Looking back, we ask: how much of that freedom remained, and how many dreams did we truly pursue? How often were our voices softened or silenced by the quiet passing of time?

The series reflects on childhood, memory, and the futures we imagine for ourselves. In youth, everything seems possible. Looking back, we ask: how much of that freedom remained, and how many dreams did we truly pursue? How often were our voices softened or silenced by the quiet passing of time?
This work has been internationally exhibited (in Spain and in Belgium) and received a special mention of the jury and the Audience Award in the Nivelles art prize.

The series reflects on childhood, memory, and the futures we imagine for ourselves. In youth, everything seems possible. Looking back, we ask: how much of that freedom remained, and how many dreams did we truly pursue? How often were our voices softened or silenced by the quiet passing of time?

The series reflects on childhood, memory, and the futures we imagine for ourselves. In youth, everything seems possible. Looking back, we ask: how much of that freedom remained, and how many dreams did we truly pursue? How often were our voices softened or silenced by the quiet passing of time?

The series reflects on childhood, memory, and the futures we imagine for ourselves. In youth, everything seems possible. Looking back, we ask: how much of that freedom remained, and how many dreams did we truly pursue? How often were our voices softened or silenced by the quiet passing of time?

The series reflects on childhood, memory, and the futures we imagine for ourselves. In youth, everything seems possible. Looking back, we ask: how much of that freedom remained, and how many dreams did we truly pursue? How often were our voices softened or silenced by the quiet passing of time?

The series reflects on childhood, memory, and the futures we imagine for ourselves. In youth, everything seems possible. Looking back, we ask: how much of that freedom remained, and how many dreams did we truly pursue? How often were our voices softened or silenced by the quiet passing of time?

From the “40 Days” series, this work follows a solitary figure walking daily through the Tabernas Desert and its surroundings. In the repetition of these simple rituals, small shifts in light, dust, and gesture emerge, turning the act of wandering into a quiet reflection on time, boredom, and human presence.

From the “40 Days” series, this work follows a solitary figure walking daily through the Tabernas Desert and its surroundings. In the repetition of these simple rituals, small shifts in light, dust, and gesture emerge, turning the act of wandering into a quiet reflection on time, boredom, and human presence.