WORK

• on canvas
• on paper

AMONG FIELDS is a square mixed-media painting of layered paper, acrylic paint, and drawing materials, where geometric forms create a landscape from which a house and path subtly emerge. The architectural element grounds the abstract composition, inviting viewers to explore the quiet tension between structure and open space.

ANOTHER SUNNY DAY is built from layered, rectangular sheets of paper that create a geometric foundation, which I interrupt with free, intuitive painting. The work approaches the theme of flowers in an abstract, illustrative way, leaving space for personal interpretation while inviting the viewer to explore the dialogue between structure and spontaneity.

Berries is a painting composed of three interrelated elements within a reduced color palette. Together, these elements form a geometric, balanced whole—where nature appears both ordered and freely imagined.

BERRIES is an abstract composition centered around a geometric vessel holding suggested floral forms. Behind the structured elements, a hint of sky opens up, adding depth and a sense of distance. This soft background gently breaks the geometry, creating space for the eye to wander.

Fields of Gold is composed of multiple geometric sections that come together in a harmonious interplay. Within these fields, the line work becomes more free and expressive, giving each area its own character. Subtle typography adds an additional layer, quietly woven into the composition. On closer inspection, shapes resembling vessels and plants begin to emerge, inviting a slower, more attentive gaze.

MOONLIGHT is created in my signature layered approach, combining overlapping paper collages with acrylic paint to form four large geometric half-circles that shape the composition. Accents appear only in a single shade of green, while the work shimmers in soft, moonlit whites, its generous layout radiating a quiet, lingering calm.

In MY HOME, MY CASTLE, multiple layers overlap to form a complex structure, refined by graphic elements that suggest architectural associations without fixing them too clearly. Depending on the viewer’s perspective, it might evoke the idea of a building or simply appear as an arrangement of geometric forms, with the layered construction and precise details guiding the composition’s character.

SPIRIT is built from layered, rectangular sheets of paper that form a clear geometric structure – a hallmark of my work. I combine this ordered foundation with free, intuitive painting to break the rigidity and introduce an element of chance that creates tension. I want each viewer to step closer, develop their own perception, see something different in the work, and lose themselves in details characteristic of my art.

VALENTINE is an abstract composition with an intuitive visual language, centered on a floral motif that suggests either a vase or a garden moment. Soft forms and layered textures evoke movement and leave room for personal interpretation.

WE TWO ARE ONE is a geometric composition featuring two stylized vases side by side, equal in size yet distinct in character. The left, in shades of blue, holds two delicate stems; the right, outlined in red against earthy tones, contains a tangle of expressive lines suggesting foliage or undergrowth. Together, they form a quiet duality—complementary and connected. The image explores balance, contrast, and the subtle dialogue between order and spontaneity.

IN THE GREENHOUSE is built from layered, rectangular sheets of paper that create a clear geometric foundation, which I interrupt with free, intuitive painting. The work approaches the theme of flowers in an abstract, illustrative way, leaving space for personal interpretation while inviting the viewer to explore the dialogue between structure and spontaneity.

LUCKY ENOUGH shines with a luminous floral presence set against a structured, graphic ground. Soft, organic shapes meet layers of translucent colour and fine surface details.

POPPYFLOWER is built from layered, rectangular sheets of paper that create a clear geometric foundation, which I interrupt with free, intuitive painting. The work approaches the theme of flowers in an abstract, illustrative way, leaving space for personal interpretation while inviting the viewer to explore the dialogue between structure and spontaneity.

MAKI is an 80 x 100 cm work built on a clear geometric structure. Based on a kind of grid with vertical columns divided by geometric shapes, it guides the eye and continually reveals new details. The viewer’s gaze wanders and is drawn into the depth of the painting through its multiple layers. Rendered in muted colors, the work stands out for its strong graphic foundation.

HOME captivates with its luminous expanses of colour, where collage on paper meets free, expansive painting with fine details. As in all my work, I search for suggested motifs and a subtle narrative thread. The piece invites viewers to let their own images emerge.

My paper collages combine bold, expansive painting with fine details and playful, graphic structures. Suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.

My paper collages combine bold, expansive painting with fine details and playful, graphic structures. Suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.

My paper collages combine bold, expansive painting with fine details and playful, graphic structures. Suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.

My paper collages combine bold, expansive painting with fine details and playful, graphic structures. Suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.

This collage combines bold, expansive painting with fine details and playful, graphic structures. Suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.

My artworks combine bold, expansive layers of painting with fine details and playful, graphic structures. Built up in multiple layers, suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.

CUP OF TEA is a square canvas combining collage, layered paper, acrylic paint, and drawing tools, where abstract fields overlap to create a fragmented sense of space. Amidst this open structure, a cup emerges as a concrete detail, anchoring the composition and inviting personal spatial interpretation.

My artworks combine bold, expansive layers of painting with fine details and playful, graphic structures. Built up in multiple layers, suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.

My artworks combine bold, expansive layers of painting with fine details and playful, graphic structures. Built up in multiple layers, suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.

My artworks combine bold, expansive layers of painting with fine details and playful, graphic structures. Built up in multiple layers, suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.

My artworks combine bold, expansive layers of painting with fine details and playful, graphic structures. Built up in multiple layers, suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.