WORK

• on canvas
• on paper

MOONLIGHT is created in my signature layered approach, combining overlapping paper collages with acrylic paint to form four large geometric half-circles that shape the composition. Accents appear only in a single shade of green, while the work shimmers in soft, moonlit whites, its generous layout radiating a quiet, lingering calm.

MAKI is an 80 x 100 cm work built on a clear geometric structure. Based on a kind of grid with vertical columns divided by geometric shapes, it guides the eye and continually reveals new details. The viewer’s gaze wanders and is drawn into the depth of the painting through its multiple layers. Rendered in muted colors, the work stands out for its strong graphic foundation.

In MY HOME, MY CASTLE, multiple layers overlap to form a complex structure, refined by graphic elements that suggest architectural associations without fixing them too clearly. Depending on the viewer’s perspective, it might evoke the idea of a building or simply appear as an arrangement of geometric forms, with the layered construction and precise details guiding the composition’s character.

LUCKY ENOUGH shines with a luminous floral presence set against a structured, graphic ground. Soft, organic shapes meet layers of translucent colour and fine surface details.

SPIRIT is built from layered, rectangular sheets of paper that form a clear geometric structure – a hallmark of my work. I combine this ordered foundation with free, intuitive painting to break the rigidity and introduce an element of chance that creates tension. I want each viewer to step closer, develop their own perception, see something different in the work, and lose themselves in details characteristic of my art.

The painting combines expansive, layered areas with fine graphic details and a clear, reduced structure. A vessel forms the lower part of the composition, while a calm grey field remains open above it. The handwritten phrase “I can buy myself flowers” introduces a quiet note of self-reliance, leaving space for the viewer’s own interpretation.

This work combines expansive, layered areas of paint with fine graphic details and a dense arrangement of elements. Suggested vessels and plant-like hatching form an intricate surface in shades of grey, white, and soft pink. Built up in multiple layers, the composition invites close looking and allows new associations to emerge over time.

The work is composed of layered, flat areas in black, white, and brown, creating a quiet, reduced composition. A loosely sketched vessel and subtle hatching are embedded in the surface. The word “NOON” appears above the form, suggesting a moment of stillness and pause.

WE TWO ARE ONE is a geometric composition featuring two stylized vases side by side, equal in size yet distinct in character. The left, in shades of blue, holds two delicate stems; the right, outlined in red against earthy tones, contains a tangle of expressive lines suggesting foliage or undergrowth. Together, they form a quiet duality—complementary and connected. The image explores balance, contrast, and the subtle dialogue between order and spontaneity.

CUP OF TEA is a square canvas combining collage, layered paper, acrylic paint, and drawing tools, where abstract fields overlap to create a fragmented sense of space. Amidst this open structure, a cup emerges as a concrete detail, anchoring the composition and inviting personal spatial interpretation.

AMONG FIELDS is a square mixed-media painting of layered paper, acrylic paint, and drawing materials, where geometric forms create a landscape from which a house and path subtly emerge. The architectural element grounds the abstract composition, inviting viewers to explore the quiet tension between structure and open space.

BERRIES is an abstract composition centered around a geometric vessel holding suggested floral forms. Behind the structured elements, a hint of sky opens up, adding depth and a sense of distance. This soft background gently breaks the geometry, creating space for the eye to wander.

Reduzierte Farbpalette in Schwarz-, Grau- und gebrochenen Weißtönen. Im unteren Bildbereich strukturieren geometrische Rauten die Fläche und geben dem Bild Halt. Nach oben hin öffnet sich der Raum: Eine Tasse ist nur angedeutet, beinahe schwebend
Die Oberfläche entsteht in einem vielschichtigen Prozess aus Acrylfarbe, Papier und Zeichnung, mit Übermalungen, Abwischungen und bewussten Störungen. Grafische Ordnung trifft auf intuitive Setzungen – zwischen Kontrolle und Loslassen, Sichtbarem und Verborgenem.

This artwork combines bold, expansive layers of paint with fine details and playful, graphic structures. Built up in multiple layers, suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.

Built up in fine layers, the work brings together subtle graphic structures and restrained details. Suggested vessels and delicate hatching encourage the viewer to look closely and discover shifting images over time.

My paper collages combine bold, expansive painting with fine details and playful, graphic structures. Suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.

Berries is a painting composed of three interrelated elements within a reduced color palette. Together, these elements form a geometric, balanced whole—where nature appears both ordered and freely imagined.

Fields of Gold is composed of multiple geometric sections that come together in a harmonious interplay. Within these fields, the line work becomes more free and expressive, giving each area its own character. Subtle typography adds an additional layer, quietly woven into the composition. On closer inspection, shapes resembling vessels and plants begin to emerge, inviting a slower, more attentive gaze.

My paper collages combine bold, expansive painting with fine details and playful, graphic structures. Suggested motifs and subtle narrative traces invite viewers to discover their own images and find something new with each look.

At Sea is a small paper work built from layered paper elements arranged in an abstract, geometric composition. A black ship silhouette moves into the foreground, set against flat, interlocking shapes. The title appears below, reinforcing the graphic and conceptual character of the work.

This small paper work is built from layered paper elements arranged in a flat, abstract composition. A tree form emerges in the foreground, accompanied by an abstract text below. Interlocking shapes and graphic elements emphasize the layered, constructed character of the work.

Horizon is built from light, layered paper elements forming a calm, horizontally divided composition. Subtle forms, a grey upper area with cloud-like structures, and a faint pink glow suggest depth and distance.

Rise and Shine is a small paper work structured by a horizontal division. The darker lower section is defined by perspective lines leading toward the horizon, while a soft pink glow suggests something emerging. The restrained composition creates a subtle sense of space and transition.

Glittering Lights is a small paper work composed of layered, flat areas in a reduced palette. The lower part of the composition is darker and suggests a house-like silhouette, while the upper section is filled with scattered yellow dots that can be read as lights in the sky. The contrast between the two zones creates a quiet sense of depth.

Winter is a paper work built from light, layered areas forming a calm, abstract composition. White background shapes suggest a forest-like structure, while a shadow and subtle typographic elements appear in the foreground. From the left, an orange spherical form enters the image, introducing a restrained contrast.

Landscape is a paper work built from layered surfaces and a horizontal structure. The composition creates a calm sense of space and depth.

This paper work uses layered surfaces to evoke a landscape. A pink horizontal field with a subtle house form anchors the composition.

Calm is a paper work structured through layered fields that gently suggest a landscape. Subtle marks, dots, and hatching within each area create traces and textures, leaving generous space for personal discovery and inspiration.

Strawberry Fields is a paper work built from layered horizontal fields. An earthy red base with fine hatching and emerging letter-like forms flows into a lighter, textured area, topped by a cool blue band that gently opens the space.