WORK

‘Totem’ forms part of a new body of work that imagines the traces, remnants, and material culture of a civilisation that is fundamentally unknowable; perhaps extinct, perhaps never fully understood. Through the depiction of enigmatic objects, ceremonial forms, biological remains, and fragmentary relics, the series explores the limits of interpretation and the human impulse to construct meaning from incomplete evidence.

'Smoker' is one of a series of works where imagined forms occupy an ambiguous space inviting viewers to contemplate how knowledge is shaped by absence, experience, emotion and conjecture.

One of a series of of works exploring the tension between surface and depth, between what is seen and what might lie beyond. Each image presents a subtle intervention
within an otherwise unremarkable plane; a small aperture, a suggestion of entry,
unfolding or penetration, even collapse and compression; a disturbance in space
that resists immediate explanation. These are not literal doorways but
propositions, invitations to consider the possibility of passage or displacement.

These imagined forms occupy an ambiguous space inviting viewers to contemplate how knowledge is shaped by absence, experience, emotion and conjecture.

'Cocoon' is one of a series of new works where imagined artefacts occupy a space between archaeology, speculation, and fiction. Their ambiguity invites viewers to contemplate not only what such a civilisation might have been, but also how knowledge is shaped by absence, distance, and conjecture. In turn, the work reflects back on our own material legacy, prompting questions about how contemporary and historical human artefacts might be understood by other species, future intelligences, or distant observers attempting to reconstruct who we were from the fragments we leave behind.

'Unknowable Relic' is one of a new series of works whereby imagined artefacts occupy a space between archaeology, speculation, and fiction. Their ambiguity invites viewers to contemplate not only what such a civilisation might have been, but also how knowledge is shaped by absence, distance, and conjecture. In turn, the work reflects back on our own material legacy, prompting questions about how contemporary and historical human artefacts might be understood by other species, future intelligences, or distant observers attempting to reconstruct who we were from the fragments we leave behind.

'Cascading Form' is one of a series of works where imagined forms occupy an ambiguous space inviting viewers to contemplate how knowledge is shaped by absence, experience, emotion and conjecture.

'Caryatid' is one of a series of works where imagined forms occupy an ambiguous space inviting viewers to contemplate how knowledge is shaped by absence, experience, emotion and conjecture.

'Herald' is one of a series of works where imagined forms occupy an ambiguous space inviting viewers to contemplate how knowledge is shaped by absence, experience, emotion and conjecture.

One of a series of of works exploring the tension between surface and depth, between what is seen and what might lie beyond. Each image presents a subtle intervention
within an otherwise unremarkable plane; a small aperture, a suggestion of entry,
unfolding or penetration, even collapse and compression; a disturbance in space
that resists immediate explanation. These are not literal doorways but
propositions, invitations to consider the possibility of passage or displacement.

One of a series of of works exploring the tension between surface and depth, between what is seen and what might lie beyond. Each image presents a subtle intervention
within an otherwise unremarkable plane; a small aperture, a suggestion of entry,
unfolding or penetration, even collapse and compression; a disturbance in space
that resists immediate explanation. These are not literal doorways but
propositions, invitations to consider the possibility of passage or displacement.

One of a series of of works exploring the tension between surface and depth, between what is seen and what might lie beyond. Each image presents a subtle intervention
within an otherwise unremarkable plane; a small aperture, a suggestion of entry,
unfolding or penetration, even collapse and compression; a disturbance in space
that resists immediate explanation. These are not literal doorways but
propositions, invitations to consider the possibility of passage or displacement.