The Cleveland Museum of Art: Exhibition on book illustrations

Fairy Tales and Fables: Storytelling in Art

Made for experimentation: book illustration is a special, often underappreciated form of artistic expression. Many famous artists make use of its possibilities. The Cleveland Museum of Art explores the history of book illustration in Fairy Tales and Fables: Illustration and Storytelling in Art from May 4.

May 04, 2024
The Fables of La Fontaine: The Fox and the Turkey Hens, 1733. Jean-Baptiste Oudry (French, 1686–1755)
The Cleveland Museum of Art, John L. Severance Fund 1977.93, public domain
The Fables of La Fontaine: The Fox and the Turkey Hens, 1733. Jean-Baptiste Oudry (French, 1686–1755). Brush and black ink and gray wash heightened with white gouache, blue ink in margin; framing lines in brown ink; image: 24 x 18.8 cm (9 7/16 x 7 3/8 in.); sheet: 31 x 26 cm (12 3/16 x 10 1/4 in.).

In the 19th century, industrialization revolutionized book production, from the manufacture of paper to the printing of finished volumes. New printing techniques such as lithography and wood engraving enabled artists to reproduce their designs faster and more precisely. Renowned artists such as Marc Chagall also made use of the new techniques. This led to a flood of books, magazines and journals filled with illustrations, which found a worldwide audience. The exhibition Fairy Tales and Fables: Illustration and Storytelling in Art presents over 50 rare works of art on book illustration from various collections. These include sketches, drawings, printing blocks and published books from the period between 1750 and 1950. These objects show how artists such as Jean-Baptiste Oudry and Maxfield Parrish mastered the challenges of illustration and developed their artistic identity in the process. The exhibition is on view at the Cleveland Museum of Art from May 4 through September 8.

Illustrators of this period experimented with traditional and innovative techniques to tell stories visually while appealing to a wide audience. From discerning collectors to parents who wanted to encourage their children to read, their work was appreciated. Many of these pioneering illustrations continue to have a far-reaching influence today and they have inspired generations of artists.Art.Salon

The Golden Age: Alarums and Excursions, 1899. Maxfield Parrish (American, 1870–1966).
The Cleveland Museum of Art, Bequest of James Parmelee 1940.723, public domain
The Golden Age: Alarums and Excursions, 1899. Maxfield Parrish (American, 1870–1966). Brush and black and gray wash, with white gouache, over graphite, framing lines in pen and black ink; image: 27.9 x 17.7 cm (11 x 6 15/16 in.); sheet: 37.5 x 24.8 cm (14 3/4 x 9 3/4 in.).

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