Zao Wou-Ki also Zhao Wuji | Peking 1920 - 2013 Nyon, Switzerland

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Zao Wou-Ki - No. 237; & Untitled
Auction
Modern and Contemporary Art Day Sale
July 2022
POLY, Hong Kong
Est.: 50.000 - 80.000 HKD
Realised: 96.000 HKD
Details
Zao Wou-Ki - À la gloire de l\'image et art poétique
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 70.000 - 120.000 HKD
Realised: 63.000 HKD
Details
Zao Wou-Ki - Sans titre
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 20.000 - 40.000 HKD
Realised: 32.760 HKD
Details
Zao Wou-Ki - Suite olympique centennal
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 30.000 - 50.000 HKD
Realised: 40.320 HKD
Details
Zao Wou-Ki - Sans titre
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 30.000 - 40.000 HKD
Realised: 37.800 HKD
Details
Zao Wou-Ki - Sans titre
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 30.000 - 50.000 HKD
Realised: 40.320 HKD
Details
Zao Wou-Ki - Sans titre
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 30.000 - 40.000 HKD
Realised: not available
Details
Zao Wou-Ki - La mare aux canards
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 20.000 - 40.000 HKD
Realised: 56.700 HKD
Details
Zao Wou-Ki - Epitaph Karl Amadeus Hartmann
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 10.000 - 20.000 HKD
Realised: 11.970 HKD
Details
Zao Wou-Ki - Nu debout
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 20.000 - 40.000 HKD
Realised: 37.800 HKD
Details
Zao Wou-Ki - a. Coupe Pierre de Feu; b. Coupe Pierre de Ciel; c. Coupe Pierre de Sable
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 60.000 - 120.000 HKD
Realised: 47.880 HKD
Details
Zao Wou-Ki - L\'orchidée
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 2.000 - 4.000 HKD
Realised: 20.160 HKD
Details

The artist Zao Wou-Ki

  • French-Chinese painter who spent most of his life in Paris.
  • Considered a well-known representative of Lyrical Abstraction and the Nouvelle École de Paris.
  • Combines characteristics of Far Eastern and Western art in his paintings.

Born on 13.02.1920 or 1921 in Beijing (China), the painter Zao Wou-Ki learned Chinese calligraphy in his childhood. As early as 1935, he began his studies at the Academy of Arts in Hangzhou, majoring in Chinese and Western painting. The works of Picasso, Paul Cézanne, Henri Matisse and Paul Klee had a lasting influence on him. After graduating, he worked as a professor at the same art academy from 1941 to 1947 and exhibited his paintings at a first solo show. Impressed by European modernism, Wou-Ki moved to Paris in 1947, became Alberto Giacometti's neighbour and took courses in painting with Othon Friesz. He also cultivated contacts with Henri Michaux, Joan Miró, Joan Mitchell, Maria Elena Vieira da Silva, Pierre Soulages and Sam Francis.

In 1949, Wou-Ki's first Paris solo exhibition took place at the Galerie Creuze, followed by various other exhibitions throughout Europe in the years that ensued. In 1964 he was granted French citizenship, and a year later his first major retrospective was shown at the Museum Folkwang in Essen. Several trips to China in the 1970s resulted in a series of ink paintings in the Chinese tradition. In addition, his friendships with Henri Michaux and André Malraux brought him various jobs for illustration projects. In 1983, his work was recognised in the People's Republic of China and some of his works were exhibited in the Chinese National Museum (Beijing).

In the 1990s and 2000s, Wou-Ki was awarded several honorary doctorates and awards, including the Praemium Imperiale of the Imperial House of Japan (1994). Furthermore, his paintings were part of various international exhibitions, including at the Venice Biennale (1996) and the Musée du Luxembourg (2006). In 2011, Wou-Ki moved to Switzerland, where he remained until his death on 09.04.2013 (in Nyon). After his passing, his wife set up a foundation to manage his extensive body of work. Wou-Ki's works are part of the collections of the Solomon R. Guggenheim Museum (London), the Museum of Modern Art (New York City) and the Tate Gallery of Modern Art (London).

Influenced by Paul Klee at the beginning of his career, Zao Wou-Ki's style in the 1950s is attributed to Lyrical Abstraction and the Nouvelle École de Paris, and he is still seen as a well-known representative of both art movements. Over time, however, Wou-Ki increasingly moved away from representational, figurative painting and instead turned towards a combination of Chinese calligraphy and European Informel. In his later years, the works of Jackson Pollock and Franz Kline influenced him, which is why his style then resembles abstract expressionism. His poetic, non-representational abstract paintings are large-format, partly dip- and triptychs, and drenched in bright colours.

Der Künstler Zao Wou-Ki

  • Französisch-chinesischer Maler, der den Großteil seines Lebens in Paris verbrachte.
  • Gilt als ein bekannter Vertreter der Lyrischen Abstraktion und der Nouvelle École de Paris.
  • Kombiniert in seinen Gemälden Eigenschaften fernöstlicher und westlicher Kunst.

Der am 13.02.1920 oder 1921 in Peking (China) geborene Maler Zao Wou-Ki erlernte bereits in seiner Kindheit die chinesische Kalligrafie. Schon 1935 begann er sein Studium an der Akademie der Künste in Hangzhou mit den Schwerpunkten chinesische und westliche Malerei. Die Werke von Picasso, Paul Cézanne, Henri Matisse und Paul Klee beeinflussten ihn dabei nachhaltig. Nach seinem Abschluss arbeitete er von 1941 bis 1947 als Professor an derselben Kunstakademie und stellte seine Gemälde auf einer ersten Einzelschau aus. Von der europäischen Moderne beeindruckt, zog Wou-Ki 1947 nach Paris, wurde dort der Nachbar von Alberto Giacometti und belegte Kurse in Malerei bei Othon Friesz. Ferner pflegte er Kontakte zu Henri Michaux, Joan Miró, Joan Mitchell, Maria Elena Vieira da Silva, Pierre Soulages und Sam Francis.

1949 fand in der Galerie Creuze Wou-Kis erste Pariser Soloexhibition statt, auf die in den folgenden Jahren diverse weitere Ausstellungen in ganz Europa folgten. 1964 erhielt er die französische Staatsbürgerschaft, ein Jahr darauf wurde im Museum Folkwang in Essen seine erste große Retrospektive ausgestellt. Aus mehreren Reisen nach China in den 1970er Jahren entstand eine Reihe von in chinesischer Tradition gehaltenen Tuschmalereien. Daneben brachten ihm die Freundschaften zu Henri Michaux und André Malraux diverse Jobs für Illustrationsprojekte ein. 1983 wurden seine Arbeiten in der Volksrepublik China anerkannt und im Chinesischen Nationalmuseum (Peking) einige seiner Werke ausgestellt.

In den 1990er und 2000er Jahren wurden Wou-Ki mehrere Ehrendoktorate und Auszeichnungen verliehen, darunter der Praemium Imperiale des japanischen Kaiserhauses (1994). Daneben waren seine Gemälde Teil von verschiedenen internationalen Ausstellungen, darunter auf der Biennale in Venedig (1996) und im Musée du Luxembourg (2006). 2011 zog Wou-Ki in die Schweiz, wo er bis zu seinem Tod am 09.04.2013 (in Nyon) ansässig blieb. Nach seinem Ableben gründete seine Frau zur Verwaltung seines umfangreichen Werkes eine Stiftung. Wou-Kis Arbeiten sind Bestandteil der Sammlungen des Solomon R. Guggenheim Museum (London), des Museum of Modern Art (New York City) und der Tate Gallery of Modern Art (London).

Zu Beginn seiner Karriere von Paul Klee beeinflusst, wird Zao Wou-Kis Stil in den 1950ern der Lyrischen Abstraktion sowie der Nouvelle École de Paris zugeordnet und er bis heute als bekannter Vertreter beider Kunstrichtungen gesehen. Mit der Zeit entfernte sich Wou-Ki jedoch zunehmend von der gegenständlichen, bildlichen Malerei und wandte sich stattdessen hin zu einer Verbindung von chinesischer Kalligrafie und europäischem Informel. In seinen späteren Jahren beeinflussten ihn die Werke von Jackson Pollock und Franz Kline, weshalb sein Stil dann an den abstrakten Expressionismus erinnert. Seine poetischen, nicht-gegenständlichen, abstrakten Gemälde sind großformatig, zum Teil Dip- und Triptychen, und getränkt in bunten Farben.

Zao Wou-Ki - Sans titre
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 20.000 - 40.000 HKD
Realised: 37.800 HKD
Details
Zao Wou-Ki - Sans titre
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 20.000 - 40.000 HKD
Realised: 63.000 HKD
Details
Zao Wou-Ki - Sans titre
Auction
Modern Discoveries | Rare & Limited
July 2022
Sothebys, Hong Kong
Est.: 20.000 - 40.000 HKD
Realised: 63.000 HKD
Details
Zao Wou-Ki - 26609
Auction
Modern and Contemporary Art Evening Sale
July 2022
POLY, Hong Kong
Est.: 8.000.000 - 12.000.000 HKD
Realised: 9.840.000 HKD
Details
Zao Wou-Ki - 24281
Auction
Modern and Contemporary Art Evening Sale
July 2022
POLY, Hong Kong
Est.: 10.000.000 - 15.000.000 HKD
Realised: 16.560.000 HKD
Details
Zao Wou-Ki - Untitled
Auction
20th/21st Century Art Online
July 2022
Christies, Hong Kong (Online Auction)
Est.: 600.000 - 1.000.000 HKD
Realised: 1.071.000 HKD
Details
Zao Wou-Ki - 12.11.63
Auction
20th/21st Century: Paris Evening Sale
June 2022
Christies, Paris
Est.: 400.000 - 600.000 EUR
Realised: 567.000 EUR
Details
Zao Wou-Ki - 6.6.78
Auction
Art Contemporain Evening Auction
June 2022
Sothebys, Paris
Est.: 350.000 - 550.000 EUR
Realised: 478.800 EUR
Details
Zao Wou-Ki - Sans Titre
Auction
Art Contemporain Day Auction
June 2022
Sothebys, Paris
Est.: 40.000 - 60.000 EUR
Realised: 50.400 EUR
Details
Zao Wou-Ki - Sans Titre
Auction
Art Contemporain Day Auction
June 2022
Sothebys, Paris
Est.: 40.000 - 60.000 EUR
Realised: 50.400 EUR
Details
Zao Wou-Ki - 18.12.69
Auction
Art Contemporain Evening Auction
June 2022
Sothebys, Paris
Est.: 1.300.000 - 1.800.000 EUR
Realised: 1.487.000 EUR
Details
Zao Wou-Ki - 1.2.63
Auction
Art Contemporain Evening Auction
June 2022
Sothebys, Paris
Est.: 80.000 - 120.000 EUR
Realised: 315.000 EUR
Details

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