Annabelle Moison

Awakening identities

Annabelle Moison's work explores profound questions about individual identity within collective structures. Her art is an examination of the tension between self-assertion and anonymity, drawing on historical events and current social debates.

by Felix Brosius, July 15, 2025
Annabelle Moison - Fallen women series
Annabelle Moison: »Fallen women« series (2024), surgical stitches on canvas, 70 x 60 cm

Annabelle Moison's works are abstract translations of substantial reflections on the tension between identity and anonymity—both in terms of self-imposed invisibility, for example in the internet, and in relation to imposed namelessness, like by authoritarian institutions. She does not remain in the realm of the general, but engages with specific historical events. In her current series Fallen Women, she traces the dehumanizing mechanisms of the Magdalene laundries, so-called »reformatories for fallen women,« which often divided their residents into categories such as special, mediocre, and despised and assigned them numbers instead of names. Moison translates this clear attempt at uniformity into grid-like systems in which supposedly identical rhombi are arranged in a fixed pattern, but not only do they show individual variations within this grid, they also break the prescribed pattern multiple times and literally step out of line—an escape from uniform anonymity that forms and expresses their own unique identity. A highly topical issue - in order to find real-life parallels for the tension between order and individual freedom, between conformity and identity, as formulated by Moison, we do not need to look back to the era of reformatories; it is enough to follow our contemporary discussions at home and abroad.

Annabelle Moison - Fallen women series
Annabelle Moison: »Fallen women« series (2024), surgical stitches on canvas, 60 x 50 cm

Born in the Netherlands, Moisen has been living and working in Luxembourg for several years. She completed her formal education in Amsterdam, where she first studied at the Gerrit Rietveld Academie and then at the Jewellery Department, earning two degrees in design and art. Her work is always preceded by intensive research into scientific aspects and historical references as she explores questions such as: What happens when stories are suppressed and remain untold? Does self-identity need visibility, or does it also exist in the hidden realm? How does our self-staged online personality affect our own identity? She translates her observations into an abstract visual language, which she composes with the help of various materials such as fabrics, pigments, and stitching. The result is a body of work as complex as the phenomena Moison explores.

Annabelle Moison - Fallen women series
Annabelle Moison: »Fallen women« series, surgical stitches on leather
»I draw on historical sources to explore philosophical questions about identity, anonymity, and self-worth.«
Annabelle Moison - A horse with no taste
Annabelle Moison: A horse with no taste, surgical stitches on felt
Annabelle Moison - Extraction XX
Annabelle Moison: Extraction XX, print on paper, A3

More about the artist: Annabelle Moison's artist pageArt.Salon

Dive deeper into the art world

Kevin Schott

Kevin Schott offers a glimpse of private scenes from everyday life that are more than just fleeting moments. Highly intimate and very personal, they describe the reality of life for all of us in a deeply touching way.

by Felix Brosius, April 01, 2025
New York: Helene Schjerfbeck at the Metropolitan Museum of Art

She is a national heroine in Finland, but has only become known internationally in recent years: Helene Schjerfbeck fascinates with her original, simple style. For the first time, a major museum in the USA is presenting her work: Seeing Silence: The Paintings of Helene Schjerfbeck opens on December 5 at the Metropolitan Museum of Art in New York.

December 05, 2025