At first glance, Gabriele Ludewig’s Balloons look like colorful, floating party balloons. Yet, behind their vibrant pop-art aesthetic lie massive sculptures full of dynamic tension. A closer look at art that radiates pure joy of life.
by Felix Brosius,
June 16, 2026
Gabriele Ludewig in her studio
Cheerful, light, and airy—that is the impression made by Gabriele Ludewig’sBalloons. Yet, contrary to what the series' title implies, these are massive sculptures of powerful physical presence, crafted as classic sculptural works from Artstone or shaped from plaster. Analyzed structurally into their individual elements, they evoke the impression of a series of stacked, partially deformed, and compressed convex bodies made from a soft, elastic mass. However, if one fully engages with their overall effect, it feels more like encountering a delightful companion.
Gabriele Ludewig: Balloon No 14 (2024), plaster, 42 (h) x 24 (w) cm
The curves of the Balloons are delicately balanced; the entire figure seems to just hold its equilibrium, as long as nothing slips and the individual segments do not deform further under the influence of pressure and gravity. Yet, it is not only the somewhat undisciplined, seemingly disordered, and slightly »quirky« shapes that transfer a buoyant lightness to the viewer. Equally essential are the intense colors, whose aesthetic evokes cheerful comics, the color palette of Pop Art, or indeed colorful party balloons, almost inevitably triggering positive associations—such as carefree play, a joyous childhood, and pure joie de vivre.
Gabriele Ludewig: Balloon No 5 (2022), Artstone, 19 (h) x 10 (w) cm
»For me, my Balloons are both concrete and mutable. A society of idiosyncratic characters.«
Gabriele Ludewig: Balloon No 12 (2024), Artstone, 48 (h) x 28 (w) cm
Colored grids meet organic forms: In a two-artist exhibition at the Galerie für Gegenwartskunst Schaffhausen, color panels by Brigitte Bi Pfister and sculptures by Klemens Pasoldt come together. The opening reception takes place on June 19 at 5 p.m.
Through works of art from the past 25 years, the Vancouver Art Gallery explores the connection between contemporary art and climate change: Future Geographies: Art in the Century of Climate Change features over 35 works on view through January 10, 2027.