He was one of the most influential artists of his time: With his unmistakable works, composed of simple lines and shapes, Keith Haring (1958–1990) not only shaped the look of the 1980s but also, through his comic-book aesthetic, foreshadowed a social transformation that was indeed taking place. Another aspect is the ability to grasp art through a mere fleeting glance, as people in everyday life likely no longer have the time for an in-depth engagement. Haring is best known for his two-dimensional works, yet his sculptural practice is also extensive: he created several hundred sculptures, ranging from found objects he painted to large-scale works in wood and metal. For the first time, an art exhibition is dedicated specifically to this aspect of his work: Keith Haring in 3D opens on June 6 at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, and runs through January 25, 2027.
Keith Haring was an extremely versatile artist who created paintings, sculptures, installations, videos, murals, prints, and early digital art, among other works, and staged performances. He also knew how to skillfully employ his distinctive lines and figures in both small and large, monumental formats, composing them in a way that was immediately accessible. He achieved this even on unusual surfaces, such as a 1963 Buick Special, which is also on display in the exhibition in Bentonville. Haring’s innovative and playful-seeming work, including numerous public sculptures in North America and Europe, contains clear social criticism, particularly against racism and homophobia. During his lifetime, Haring presented his works as a young artist at major art exhibitions such as the Whitney Biennial and the São Paulo Biennial.