With her reflections on painting and art-historical traditions, Kerstin Brätsch has become an important voice in contemporary art. On December 11, her exhibition MƎTAATEM opens at the Kunstmuseum Bonn, featuring over 100 works.
Like a portal to another world, visitors pass through a kind of labyrinth of color, light, and sound: Kerstin Brätsch transforms the Kunstmuseum Bonn into a living, painterly organism. The internationally renowned artist explores the boundaries of painting and the influences of digital technologies on it. In Brätsch's work, painting constantly takes on new forms and materiality. For example, she digitizes her own brushstrokes and then transforms them into sculptural cement objects. Central to her work is the pictorial representation of feelings, the unconscious, and mental states. The current exhibition at the Kunstmuseum Bonn runs from December 11, 2025, to April 12, 2026. It features over 100 works from the last 15 years, including some of her most recent pieces. The title MƎTAATEM reflects the words meta and Atem (breath). Brätsch alludes to a new series of works in which she explores painting as an expression of physical processes.
Kerstin Brätsch (*1979), originally from Hamburg, lives in Berlin and New York and is known for her reflection on art historical traditions. Her often large-format, abstract paintings combine various materials. The artist contrasts the pure materiality of painting, which radiates a presence of stability and longevity, with the transience of digital images. Through deliberate references to masterpieces of art history, she breaks down male-dominated painting and expands it with modern perspectives. Brätsch is also known for her artist collaborations DAS INSTITUT and KAYA. She has won numerous awards, including the August Macke Prize (2014) and the Edvard Munch Prize (2017). Since 2024, Brätsch has been a professor of painting and drawing at the University of Fine Arts Hamburg.
The exhibition was created in cooperation with the MUNCH Museum in Oslo, where it was shown from March to August 2025.
From January 21 to 31, Sri Lanka will host the ninth edition of Colomboscope, an experimental, interdisciplinary art festival entitled Rhythm Alliances. Over 50 artists, collectives, musicians, choreographers, filmmakers, and cultural organizers will present their projects at various freely accessible locations throughout the city of Colombo.
The Morgan Library & Museum in New York welcomes two famous paintings, each of which is the subject of a small exhibition: Giovanni Bellini’s »Pietà« Restored and Caravaggio’s »Boy with a Basket of Fruit« in Focus open on January 15 and 16, respectively.
