Kerstin Brätsch at the Kunstmuseum Bonn

The Living Space: Metamorphosis of Painting

With her reflections on painting and art-historical traditions, Kerstin Brätsch has become an important voice in contemporary art. On December 11, her exhibition MƎTAATEM opens at the Kunstmuseum Bonn, featuring over 100 works.

December 10, 2025
Ausstellungsansicht „Kerstin Brätsch – MƎTAATEM“, MUNCH Oslo 2025
Foto: Uli Holz
Ausstellungsansicht „Kerstin Brätsch – MƎTAATEM“, MUNCH Oslo 2025 (Cardboard structure, 2024; Ohne Titel, MƎTA Serie, 2020–2024, Courtesy die Künstlerin & Gladstone Gallery; Para Psychics, 2020–2022, Courtesy die Künstlerin & Gladstone Gallery)

Like a portal to another world, visitors pass through a kind of labyrinth of color, light, and sound: Kerstin Brätsch transforms the Kunstmuseum Bonn into a living, painterly organism. The internationally renowned artist explores the boundaries of painting and the influences of digital technologies on it. In Brätsch's work, painting constantly takes on new forms and materiality. For example, she digitizes her own brushstrokes and then transforms them into sculptural cement objects. Central to her work is the pictorial representation of feelings, the unconscious, and mental states. The current exhibition at the Kunstmuseum Bonn runs from December 11, 2025, to April 12, 2026. It features over 100 works from the last 15 years, including some of her most recent pieces. The title MƎTAATEM reflects the words meta and Atem (breath). Brätsch alludes to a new series of works in which she explores painting as an expression of physical processes.

Kerstin Brätsch (*1979), originally from Hamburg, lives in Berlin and New York and is known for her reflection on art historical traditions. Her often large-format, abstract paintings combine various materials. The artist contrasts the pure materiality of painting, which radiates a presence of stability and longevity, with the transience of digital images. Through deliberate references to masterpieces of art history, she breaks down male-dominated painting and expands it with modern perspectives. Brätsch is also known for her artist collaborations DAS INSTITUT and KAYA. She has won numerous awards, including the August Macke Prize (2014) and the Edvard Munch Prize (2017). Since 2024, Brätsch has been a professor of painting and drawing at the University of Fine Arts Hamburg.

The exhibition was created in cooperation with the MUNCH Museum in Oslo, where it was shown from March to August 2025.Art.Salon

Kerstin Brätsch, Ohne Titel, ATEM Serie, 2024
Foto: Andrea Rossetti
Kerstin Brätsch, Ohne Titel, ATEM Serie, 2024, Kunstmuseum Bonn

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