Los Angeles, Getty Center: »Learning to Draw«

The School of the Line

How did the Old Masters learn to draw, which in the early modern period was considered the basis for painting, sculpture, and architecture? A major exhibition at the Getty Center in Los Angeles is dedicated to artistic training: Learning to Draw opens on October 21.

October 21, 2025
Life-Drawing Class, about 1716 – 18, Giovanni Battista Tiepolo
Katrin Bellinger Collection L.2025.7
Life-Drawing Class, about 1716 – 18, Giovanni Battista Tiepolo (Italian, 1696 – 1770), Black and white chalks on blue paper, 41 × 54 cm (16 1/8 × 21 1/4 in.)

Since the Renaissance, drawing has been considered the most important foundation for an artist. With the help of drawing, important works could be copied for study purposes and artists could realize their own designs. This applied to painting as well as sculpture and architecture. Learning to master drawing was essential for aspiring artists, but how did painters and sculptors who are famous today learn these skills? A major exhibition at the Getty Center in Los Angeles explores artistic training: Learning to Draw runs from October 21, 2025, to January 25, 2026.

In the early modern period, drawing also gained greater independence as a medium. Although it was not yet regarded as an independent means of expression as it is today, it was accorded significantly more importance than in medieval art. Drawings were popular gifts that artists gave to each other out of respect. Albrecht Dürer and Raphael are prominent examples of this practice. The Getty Center exhibition features numerous renowned artists who lived and worked between 1550 and 1850, including Francesco Bartolozzi, Ferdinand Bol, Gerard ter Borch II, Jean-Honoré Fragonard, Guercino, Robert Léopold Leprince, Paulus van Liender, Pierre-Paul Prud’hon, Hubert Robert, Anna Catharina Rugendas, Gabriel Jacques de Saint-Aubin, Philippe Joseph Tassaert, Giovanni Battista Tiepolo, Giampietro Zanotti, and Federico Zuccaro.Art.Salon

Taddeo in the Sistine Chapel Drawing Michelangelo’s Last Judgement, about 1595, Federico Zuccaro
Getty Museum 99.GA.6.18
Taddeo in the Sistine Chapel Drawing Michelangelo’s Last Judgement, about 1595, Federico Zuccaro (Italian, about 1541 – 1609), Pen and brown ink, brush and brown wash, over black and red chalks, 41.9 × 17.7 cm (16 1/2 × 6 15/16 in.)

Dive deeper into the art world

Hamburg: 9th Triennial of Photography

Featuring works by a total of 279 international artists, the 9th Triennial of Photography Hamburg showcases the diversity of the medium. Under the theme Alliance, Infinity, Love – in the Face of the Other, eleven exhibitions will open consecutively from June 4 to 6.

June 03, 2026
Brandenburg an der Havel, Kunsthalle Brennabor

Twenty-five female artists from the Berlin Women’s Museum network are presenting works of painting, printmaking, photography, installation, and sculpture in the exhibition You Can’t Step into the Same River Twice. Five artists from the Art.Salon artist program are participating: Ulrike Gerst, Uschi Niehaus Indenbirken, Annette Selle, Beate Selzer, and Regina Weiss. The exhibition is on view through July 5 at the Kunsthalle Brennabor in Brandenburg an der Havel.

June 01, 2026