Basel Art Museum

»Hermann Scherer. Notches and Edges« shows works from a short, intensive creative phase

In the new building of the Basel Art Museum, from January 15 to April 18, 2022, the exhibition Hermann Scherer. Notches and Edges will be on view. After the trained stonemason switched materials to wood, he created his best-known works over the course of about two years before he died at the age of 34.

January 15, 2022
Hermann Scherer, Der Kranke, 1925
Photo Credit: Kunstmuseum Basel, Kupferstichkabinett - Martin P. Bühler
Hermann Scherer, Der Kranke, 1925, Holzschnitt in Schwarz auf beigefarbenem Papier

The exhibition Hermann Scherer. Notches and Edges opens on January 15 in the new building of the Kunstmuseum Basel and runs until April 18, 2022. Among the approximately 150 exhibits, particularly noteworthy are a selection of printing blocks on display for the first time, which were donated to the museum from Scherer's estate at the beginning of January 2022, and three large portfolio works, which are being shown together in their original form for the first time. The exhibition then moves on, slightly modified, and can be seen at the Bündner Kunstmuseum Chur from 18 June 2022 and at the Ernst Barlach Haus, Hamburg, from 05 March 2023.

Hermann Scherer, Die Schlafenden, 1924
Photo Credit: Rheinisches Bildarchiv Köln, rba_d052882_02
Hermann Scherer, Die Schlafenden, 1924, Tannenholz, farbig gefasst

After training as a stonemason, Hermann Scherer (1893-1927) assisted various sculptors from 1910 before his own works were exhibited for the first time in 1920 at the Kunsthalle Basel. At the same time he began painting, and a few years later he was a co-founder of the Expressionist artists' group Rot-Blau. From 1923 Scherer deepened his contact with Ernst Ludwig Kirchner, from whom he was inspired to work with wood. At this time he produced over 100 woodcuts and about 25 wood sculptures within two years. His works became more two-dimensional and abstract, and his paintings and drawings also exhibited an angular rather than curved style. Especially fundamental conflicts of human life such as love and existential angst dominate Scherer's works from his most famous creative period. In 1927 he died after a streptococcal infection.Art.Salon

Hermann Scherer, E. L. Kirchner bei der Arbeit an der Holzskulptur \
Photo Credit: Kunstmuseum Basel, Kupferstichkabinett - Jonas Haenggi
Hermann Scherer, E. L. Kirchner bei der Arbeit an der Holzskulptur "Weisses Tanzpaar", 1924, Graphit und schwarze Fettkreide

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